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Wednesday, April 5, 2023

‘Lewis Capaldi: How I’m Feeling Now’ Review: Breakout Crooner in Meta Form


By BY CHRIS AZZOPARDI from NYT Movies https://ift.tt/WZRB8HQ
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‘The Super Mario Bros. Movie’ Review: This Ain’t No Game


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Air Jordans on the Big Screen: When the Sneaker Is the Real Star


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Tuesday, April 4, 2023

‘Air’ Review: The Game Changers


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‘Country Gold’ Review: A Rising Star’s Wild(ish) Night With a Legend


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Monday, April 3, 2023

‘Pretty Baby: Brooke Shields’ Review: Girlhood, Interrupted


By BY NATALIA WINKELMAN from NYT Movies https://ift.tt/aeSgqoD
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Sunday, April 2, 2023

Michael Blackwood, Who Captured 20th-Century Artists on Film, Dies at 88


By BY RICHARD SANDOMIR from NYT Movies https://ift.tt/J2GtMlA
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Blog Archive

  • ▼  2023 (349)
    • ▼  May (64)
      • ‘The Little Mermaid’ Review: The Renovations Are O...
      • Kenneth Anger, 96, Dies; Experimental Filmmaker Le...
      • The Most Anticipated Genre Movies of the Summer
      • ‘Victim/Suspect’ Review: When the Accuser Becomes ...
      • Leon Ichaso, Whose Films Explored Latino Identity,...
      • Michelle Yeoh Has Some Advice for the Cannes Jury
      • ‘Flux Gourmet,’ ‘The Meddler’ and More Streaming Gems
      • How Scorsese, DiCaprio and De Niro Made ‘Killers o...
      • Helmut Berger, Actor Known for His Work With Visco...
      • Living With the Men of Paul Schrader’s ‘Man in a R...
      • ‘Killers of the Flower Moon’ Premieres at Cannes: ...
      • Cannes: You’ve Never Seen a Holocaust Film Like ‘T...
      • Ben Kingsley Seeks Out the Performances That Trans...
      • Five Action Movies to Stream Now
      • ‘Sanctuary’ Review: Who’s the Boss?
      • At Cannes, Harrison Ford Bids a Teary Goodbye to I...
      • The Fast, the Furious and All of the Feuds
      • ‘Indiana Jones and the Dial of Destiny’ Premieres ...
      • ‘Fast X’ Review: Drivers Wanted. Again.
      • ‘The Taking’ Review: This Land Is Not Your Land
      • ‘Museum of the Revolution’ Review: Sheltering in a...
      • ‘The Night of the 12th’ Review: When a Case Doesn’...
      • ‘White Men Can’t Jump’ Review: Bouncing Off the Rim
      • ‘Moon Garden’ Review: Malice in Wonderland
      • Brie Larson Did Watch ‘Jeanne du Barry’ at Cannes
      • Johnny Depp at Cannes: ‘I Don’t Have Much Further ...
      • ‘Rust’ is searching for international buyers at Ca...
      • Meet this year’s Cannes jury.
      • ‘Anna Nicole Smith: You Don’t Know Me’ Review: Mis...
      • Some mammoth movies extend the Cannes marathon.
      • More women are competing this year.
      • Welcome to our live Cannes coverage.
      • ‘Giving Birth to a Butterfly’ Review: Melancholy a...
      • Pedro Almodóvar’s Answer to ‘Brokeback Mountain’
      • Ahhh.. swee5, sweet #honesty from the only fest wo...
      • Cannes 2023: The Films We’ve Excited About Seeing
      • Making a Michael J. Fox Movie With Michael J. Fox’...
      • Pema Tseden, Pioneering Tibetan Filmmaker, Is Dead...
      • ‘Hypnotic’ Review: A Twisty Thriller Sends Ben Aff...
      • How Chris Messina Forced Matt Damon to Up His Game...
      • With ‘Monica,’ Trace Lysette Is Ready for More
      • ‘Crater’ Review: A Rocking Road Trip
      • ‘The Mother’ Review: Are You My Sniper?
      • ‘Book Club: The Next Chapter’ Review: Cinema Pinot...
      • ‘L’immensità’ Review: Roman Holiday
      • ‘Fool’s Paradise’ Review: No Talent? No Problem!
      • Jamie Lee Curtis and Lindsay Lohan Talk ‘Freaky Fr...
      • ‘Down With Love’ 20 Years Later: Celebrating the P...
      • ‘Dealing With Dad’ Review: A Family Dysfunction
      • Yogi Berra on the Field: The Case for Baseball Gre...
      • Diane Keaton Likes a Messy Comedy
      • ‘Beau Is Afraid’ | Anatomy of a Scene
      • Five International Movies to Stream Now
      • Five Children’s Movies to Stream Now
      • ‘The Melt Goes On Forever’ Review: David Hammons M...
      • ‘Queens of the Qing Dynasty’ Review: Secret Soul M...
      • Review: ‘What’s Love Got to Do With It?’ Probably ...
      • ‘Chile ’76’ Review: Domestic Unease That Twists In...
      • ‘Unrest’ Review: The Times Are Not A-Changin’
      • ‘Chile ’76’ Review: Domestic Unease That Twists In...
      • ‘Guardians of the Galaxy Vol. 3’ Review: Raccoon T...
      • Will Poulter Is Just Getting Used to His Superhero...
      • How Did ‘Beau Is Afraid’ Land a Mariah Carey Song?...
      • ‘King Charles, the Boy Who Walked Alone’ Review: R...
    • ►  April (61)
    • ►  March (81)
    • ►  February (72)
    • ►  January (71)
  • ►  2015 (1)
    • ►  November (1)
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