What Do ‘Candyman’ and ‘Peter Pan & Wendy’ Have in Common? A Director Explains.

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‘Are You There God? It’s Me, Margaret’ | Anatomy of a Scene

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In Nida Manzoor’s World, Martial Arts and Jane Austen Belong in the Same Movie

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‘The Trip to Greece,’ ‘Moonwalkers’ and More Streaming Gems

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Five Horror Movies to Stream Now

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‘Four Quartets’ Review: Virtuosi in Verse

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‘Big George Foreman’ Review: Not the Biopic a Two-time Champ Deserves

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‘The Restless’ Review: The Painful Cycles of Mental Illness

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‘Freaks vs. the Reich’ Review: Band of Others

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‘Winter Boy’ Review: Lost and Found

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‘Broadway’ Review: Life on the Margins

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‘Wynonna Judd: Between Hell and Hallelujah’ Review: The Show Must Go On

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Nicolas Cage, Ranked From Wild to Mild

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‘The Oak’: A Post-Communist Pinwheel

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Watch These Great Harry Belafonte Screen Performances

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‘Centurion: The Dancing Stallion’ Review: Romance on the Ranch

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Killer Moms and Bloody Elevators: A Talk With the Stars of ‘Evil Dead Rise’

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Five Action Movies to Stream Now

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Benjamin Millepied Uses Movement to Reinvent ‘Carmen’ on Camera

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‘Evil Dead Rise’ Review: Mommy Issues

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‘Ghosted’ Review: A C.I.A. Meet Cute

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‘Dry Ground Burning’ Review: Feminist Gangsters, Brazilian Style

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‘Chevalier’ Review: A Black Virtuoso Rocks the Court of Marie Antoinette

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‘Other People’s Children’ Review: True Romance

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‘Are You There God? It’s Me, Margaret’: Beloved, Banned and Finally Adapted

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‘Somewhere in Queens’ Review: Rooting for the Underdog

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Happy 100th Birthday, 16-Millimeter Film

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2023 Tribeca Festival Unveils a Lineup Filled With Stars Turned Directors

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A Director and a Rock Band Are Redrawing the Contours of Anime

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How to Build an Environmental Thriller in Five Not-So-Easy Steps

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Five Science Fiction Movies to Stream Now

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Wherever These Surgeries Went, the Camera Did, Too

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‘The Last Kingdom: Seven Kings Must Die’ Review: Flesh Wounds

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‘Wild Life’ Review: Their Land Is Our Land

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‘Honorable Men’ Review: The Trials of a Prime Minister

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‘Everything Went Fine’ Review: To Be or Not to Be?

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Wes Anderson and Todd Haynes to Compete at Cannes Film Festival

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‘Mafia Mamma’ Review: An Offer You Can Refuse

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‘Beau Is Afraid’ Review: A Visit With Mommy Dearest

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‘Tommy Guns’ Review: A Shape-Shifting Spectacle of Military Life

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‘The Plains’ Review: Road to Somewhere

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‘Air’ and the Argument for Letting the Talent Share in the Profits

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Bill Butler, Cinematographer Best Known for ‘Jaws,’ Dies at 101

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A New Kelly Reichardt Movie? These Actors Keep Showing Up

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Five International Movies to Stream Now

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Five Children’s Movies to Stream Now

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An L.G.B.T. Pakistani Film, Banned at Home, Is Celebrated Abroad

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In 1993 ‘Super Mario Bros.’ Bombed; in 2023, It’s a Hit With a New Generation

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‘Joyland’ Review: A Target of Gossip

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